Chicago Blues Artists 1950s

A strong, independent woman and a powerful vocalist who could sing in both jazz and blues styles, smith was the most commercially successful of the era's singers. You don’t have to go, ain’t that lovin’ you baby, honest i do, take out some insurance, baby what you want me to do.

unknown, Howlin' Wolf, Little Hudson & B.B. King

Born in chicago in 1929, walker first made her mark on gospel with the caravans, a group she founded in the early 1950s.


Chicago blues artists 1950s. Chicago blues artists typically got their start performing at open air markets and local house parties, before moving up into the numerous blues clubs that peppered the city’s south and west black. The term was coined in the late 1950s by billboard magazine writer. Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music.

Stream songs including irma lee, you don't treat me right and more. It was a rich and rewarding furrow of the blues field, and. Featuring electric guitar, amplified harmonica and drums, this music had a.

Urban blues flourished in the early 1950s as record companies like chicago's chess and checker records sold millions of records by artists like muddy waters, willie dixon, howlin' wolf and elmore james. As the depression's early days brought southern musicians to northern cities, the chicago blues scene absorbed and incorporated these new arrivals. In the last several decades, blues music has developed a less regional character and has been influenced by rhythm and blues.

Talents like tampa red, big bill broonzy, and memphis minnie were among the first generation of chicago blues artists, and they paved the way (and often lent valuable support) for newcomers like muddy waters, howlin' wolf, little walter, and willie dixon. Her records sold tens of thousands, if not hundreds of thousands, of copies, an unheard of. The sound, which developed into its prime from the 1930s to the 1950s, relies heavily on electric guitar, drums, harmonica and soulful lyrics.

However, while chicago and memphis attracted most of the aspiring blues artists heading out of the mississippi delta in the 1950s, detroit drew its share, most notably, john lee hooker. By the late 1950s and early 1960s a new generation of west side artists, including otis rush, magic sam (maghett), and buddy (george) guy, carried the work of waters, dixon, and other chess artists even further. Taking the basic guitar and harmonica lineup and fortifying it with drums, bass, and piano (sometimes saxophones), the form created what we now know as the standard blues band.

Listen to chicago blues of the 1950's by various artists on apple music. What we consider to be the classic chicago blues sound today developed during the 1940s and '50s. Taking the basic guitar and harmonica lineup and fortifying it with drums, bass, and piano (sometimes saxophones), the form created what we now know as.

Chicago blues soon attracted substantially broader audiences. A decade and a half later, she set out on a solo career. Ensembles grew, the blues became more popular, and individual musicians' styles combined to form a sound that reflected musicians' familiarity with each other and the.

Known as the empress of the blues, bessie smith was the best and most famous female singer of the 1920s. In the 1950s the hypnotic grooves of jimmy reed’s recordings took him to heights in the charts that few blues artists could reach, and none as often as he did.

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